zoqaheroes.blogg.se

We’ll also jam through a few of the key’s songs and chord progressions. We’ll be looking at D-sharp or E-flat minor ‘s history, its use in popular music, and whether or not it’s hard to play it on the guitar.

Our key for today is D-sharp or E-flat minor, a key of deep, dark blues, night terrors, hopelessness, and a nameless dread. Songs in the Key of D-Sharp / E-flat Minor: Dismal Dungeons of Despairĭ-Sharp or E-Flat Minor: The Eeyore of the Minor Keys.Chords and Common Chord Progressions in the Key of D-Sharp or E-Flat Minor.Theory and Practice: The Pattern of the D-sharp / E-Flat Minor Scale Explained.The D#/Eb Minor Chord Position on the Guitar: A Little Awkward, But a Nice Sound.D-Sharp or E-Flat Minor: The Eeyore of the Minor Keys.Counting up in C minor you should have used flats, if the note had been B# you would have used sharps. When you counted up you switched flats and sharps and that is why you arrived at D# instead of Eb. They are spelled differently though just as is. If you spelled both these minor scales out you would be able to adjust the labels for the notes in a way that they both used the same notes. So if you had been given the note B# you should have arrived at D# like you did.

So the relative minor would be called B# minor. The notes in the key of D# will contain notes which are the enharmonic equivalent to the notes in Eb.

So, in your example, The key of E flat has the following notesĪnd so the relative minor is C minor because (among other ways) you find the parallel minor by locating the sixth scale degree. Had the note you were given been B#, you would have counted up to D# and it would have worked.Īn enharmonic equivalent is when two notes are the same, that is played at the same spot, but have different names.įor example, D# and E-flat are enharmonic equivalents. You should have arrived at Eb flat major when you counted up in your head because that was the key you were in. It has to do with the idea of "Enharmonic equivalents".